Dashwood Projects, our ancillary space at 63 East 4th Street—between Bowery and Second Avenue just a few blocks from Dashwood Books, opened March 14, 2024.  It is an experimental space to extend the life and boundaries of our publishing program dedicated to exhibitions and selling work by artists we’ve collaborated with over the years. 



Justine Kurland: SCUMB Flowers



09/26/24—11/11/24
Opening: 09/25/24  6–8PM
Poetry reading with Ariana Reines: 10/05/24   5–7PM

Dashwood Projects presents SCUMB Flowers, an exhibition of collages by Justine Kurland from her ongoing series SCUMB Manifesto

In 1967 the radical feminist and writer Valerie Solanas sold copies of her newly authored SCUM Manifesto on the streets of New York’s Greenwich Village. Solanas didn’t mince words: the ambition of the Society for Cutting Up Men, or SCUM, was to eliminate the male sex and work toward an all-female utopia. Inspired by Solanas’s vision, Justine Kurland began to purge her cherished library of photography books authored by white men, creating her own SCUMB Manifesto in the process (SCUMB stands for Society for Cutting Up Men’s Books). Seeking and picturing freedom is at the core of much of Kurland’s work, and in this project, liberation is found in the artistic act itself. She chopped up images by figures whose work is considered foundational to photographic history, as well as those by their contemporary male heirs, then reconfigured them into collaged compositions. The nature of collage—heterogeneous, disjointed, shape-shifting, cyborgian, fantastical—has long made it a feminist strategy both in life and in art. Kurland’s is a restorative ritual: each collage is a reclamation of history, a dismemberment of the patriarchy, and a gender inversion of the usual terms of possession.

To create this new work, SCUMB Flowers, Kurland excised every flower from the pages of William Eggleston’s ten-volume set, The Democratic Forest. Freed from his compositions, the blooms dangle from webbed vines, delicate and lacy. SCUMB Flowers locates the latent feminine in the work of one of the most resourced and collected American photographers, a man who is quoted to have based his compositional style on the Confederate flag.

Ariana and SCUMB Flowers, a zine by Justine Kurland and Ariana Reines, has been published on the occasion of the exhibition and will be available for purchase. Reines will present a reading of her poem “Theory of the Flower” at Dashwood Projects in October.

Justine Kurland is an artist based in New York City. Her most recent publications are This Train (MACK, 2023); SCUMB Manifesto (MACK, 2022); The Stick (TIS, 2021); and Justine Kurland: Girl Pictures (Aperture, 2020). Recent exhibitions include This Train, Higher Pictures, Brooklyn (2024); SCUMB Manifesto, Watershed Art & Ecology, Chicago (2023); and Bonds of Love (with Moyra Davey), delpire & co, Paris (2023).
SCUMB Flowers 

Matchbox

2.25 × 1.375 in

$3

Order

Ariana and SCUMB Flowers 

Ariana Reines and Justine Kurland

Book

Published by Dashwood Books
 First edition
Zine
32 pages
7.16 x 7.25 inches

$28

Order


Artist walkthrough

Cultured: “Photography, Three Ways: Our Critic Highlights Stand-Out Shows on View in New York” by Johanna Fateman

Collector Daily: “Justine Kurland: SCUMB Flowers @Dashwood Projects” By Loring Knoblauch


Wednesday to Friday
Noon to 5pm

Saturday
1 to 6pm
 
63 East 4th Street 
New York, NY 10003
annechristensen@dashwoodprojects.com